Review: Pi

Director: Darren Aronofsky
Year: 1998
Score: 6.5/10

This almost makes me want to see a horror movie in which the villains are sullen/angry/rabid Jews. Almost.

This almost makes me want to see a horror movie in which the villains are sullen/angry/rabid Jews. Almost.

Darren Aronofsky’s debut is a singular, though not wholly successful, experience. It explores many of the themes he revisited in later films, such as isolation, paranoia, obsession and self-destruction. The ambition of it is plain to see and it showcases Aronofsky’s talent and promise well. The scratchy black-and-white photography doesn’t add much really, other than giving it a very specific look. Sean Gullette is quite good as our protagonist, the paranoid genius Max, and he also co-wrote the story. I have to say I didn’t find the ideas and theories that so obsess Max all that compelling. It also delves perhaps a little too far into the realm of the surreal for my tastes. Nonetheless, I’m glad I finally watched it (it’s a movie that has stared at me in video shops for a long time).

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