Henry Fonda won an Oscar for his solid lead performance, and died soon thereafter. Katharine Hepburn also won one – her fourth Best Actress Oscar, a record unlikely to ever be equalled – for playing his wife, though reportedly it was widely regarded as a sentimental win rather than necessarily being deserved for this particular performance. In my view both are good enough to deserve their wins, though Hepburn is really in more of a supporting role than a lead one. The relationship between their characters is the film’s strongest and most moving facet.
On the other hand, the relationship between Fonda’s character and his daughter – played with mixed results by his real-life daughter Jane – doesn’t quite click, though from a narrative perspective it’s supposed to be the main event. Dabney Coleman is amusing in a supporting role. The stuff with the loons is a tad heavy-handed, contributing to the sense of over-sentimentality.
Still probably worth watching for the performances, the warm humour, and the bits that succeed on an emotional level, of which there are quite a few. After all, there really aren’t enough good movies about old age.