While it’s well made by Steven Soderbergh and well acted all around, in many ways this feels pointless since it brings very little to the table that’s new. On the other hand, it trims the running time by more than an hour, which is a plus given that a key problem with the original is its length and pace. It still manages to hit on most of the original’s key plot points and meditate (if not to the same degree) on most of its philosophical questions. It’s similarly cold and lacking in action, and the relationship between the protagonist and his dead wife (cue Robyn Hitchcock) is a bit more heavy-handed.
If I’m recommending one or the other to someone who’s seen neither, I think I’d point them to the Tarkovsky version on the basis of its place in film history and the fact that it’s slightly more interesting and considerably more innovative. However, if the recommendee’s time is limited or they prefer less ambiguity, perhaps I’d point them to Soderbergh.
As a result of this film I’ve come to a realisation about Jeremy Davies: he’s great (in this as well as the TV series Justified and the films Spanking the Monkey, Rescue Dawn, It’s Kind of a Funny Story, etc.) but he pretty much plays the same character in the same way every time I see him so he must lack range.