Tag Archives: Benedict Cumberbatch

Review: The Hobbit: The Desolation of Smaug: Theatrical Edition

Director: Peter Jackson
Year: 2013
Score: 6/10

Toilet Dwarf™, the perfect accessory for any rustic restroom. Make your own King Under the Mountain!

Toilet Dwarf™, the perfect accessory for any rustic restroom. Make your own King Under the Mountain!

The Two Towers is my least favourite entry in the Lord of the Rings film trilogy, suffering as it does from middle film syndrome (lacking both the joy/wonder of introducing us into the world and the catharsis of ending the story), so it makes sense for me to have similar feelings about The Desolation of Smaug. Of course, I won’t know for sure until the release of The Battle of the Five Armies later this year, but I’m guessing I’ll enjoy that more than this.

Many of my criticisms of An Unexpected Journey apply here too: over-length, unnecessary action sequences, padding the story out with extra bits that don’t add enough, and sticking too closely to the formula established in the previous trilogy. There are also some more specific criticisms to be made: the opening scene lacks ‘oomph’; the ending is weak, lacking even a semblance of finality, let alone resolution; the Kili-gets-injured-and-winds-up-in-a-love-triangle subplot is entirely superfluous and irritating, especially since the two other members of the triangle (Legolas and a female elf created for the movie and played by Kate from Lost) aren’t supposed to be in the movie at all; in the motion-captured-character-redeems-movie’s-final-act stakes, Smaug is no Gollum; the entire Lonely Mountain sequence is muddled; and Thranduil’s arseholishness, with no real redeeming features, quickly grates.

Having said all that, there are still some fairly enjoyable parts (the barrel sequence, for instance), and all the usual elements worthy of praise in a Peter Jackson Middle-Earth movie (action, visuals, music, casting, etc.) are still there too. As for acting, Orlando Bloom continues to think that squinting is the sole form of emoting available to him, Stephen Fry overdoes it a bit as the Master of Laketown, Sir Ian McKellen is solid as ever but seems to be overusing the move-bags-under-one’s-eyes-to-indicate-drama technique, and everyone else is fine.


Review: The Hobbit: An Unexpected Journey: Extended Edition

Director: Peter Jackson
Year: 2012 (theatrical version) / 2013 (extended edition)
Score: 7/10

The real reason for the extended edition, of course, was so we finally get naked dwarves. The fans... go... wild.

The real reason for the extended edition, of course, was so we finally get naked dwarves. The fans… go… wild.

I’m a big fan of Peter Jackson’s Lord of the Rings trilogy and my initial viewing of the theatrical (non-extended) version of The Hobbit: An Unexpected Journey, in 48fps 3D, left me quite impressed but a tad concerned. It was an immensely fun ride, with Jackson’s familiar brand of humour-infused action, constant winks at the fans, a largely excellent cast (both new and returning), and a brilliant adaptation of the novel’s crucial ‘Riddles in the Dark’ chapter in the final act. Mostly it was just great to be back in Jackson’s immersive world; it isn’t quite Tolkien’s Middle-Earth, but it’s equally impressive in its own ways.

I did, however, have reservations about the film’s length, the sense that many of the action sequences were shoe-horned in to pad it out as the first part of a trilogy (case in point: the entirely unnecessary rock-monster boxing match scene), the decision to split a fairly short children’s book into three lengthy films, and the often slavish beat-for-beat recreations of moments/sequences/arcs from the original trilogy. In a sense all of these concerns come down to the fact that this isn’t just a film adaptation of the novel; it’s very specifically JACKSON’S adaptation, in the style, vein and scope of his Lord of the Rings. That means we lose the childish frivolity and lightness I remember from the novel, and instead get a dose of Sauron-y seriousness and a bunch of extra bits, all designed to create parity with the original trilogy so this (together with the next two movies) will serve as a stylistically and narratively cohesive prequel trilogy.

I can't decide if the Great Goblin's chin testicles are as bad as or worse than Peter Griffin's.

I can’t decide if the Great Goblin’s chin testicles are as bad as or worse than Peter Griffin’s.

Watching the extended edition in preparation for the release of The Hobbit: The Desolation of Smaug, I had roughly the same response but if anything my concerns grew: this is, after all, an even longer version – 13 minutes of additional footage! – of a movie I already regarded as bloated. For some reason I disliked the Great Goblin character (portrayed by Barry Humphries) more this time round. On the other hand, I found the emotional climax (Bilbo finding his courage and being accepted by Thorin) considerably more affecting, though I don’t recall any changes to the scene in this version that would have made it so. I also noticed and enjoyed the dwarves’ theme music, within Howard Shore’s excellent-as-always score, more than I previously recall.

For anyone choosing between the theatrical and extended versions, the bottom line for me is this: when I watch the trilogy in the future, I’ll be putting aside my concerns about length and unnecessary action set-pieces and ill-advised movie-splitting, so I might as well take the completist route and watch the extended version; the extra bits aren’t by any means fatal to the overall length, and they tend to play OK in a home cinema environment. Or maybe I’m just a glutton for punishment.

Guest Review: Star Trek Into Darkness

Director: J. J. Abrams
Year: 2013
Score: 8.5/10
Reviewer: Drew Pontikis

This is where Nick Frost should be standing! It's written in my contract that Nick Frost would be here!

This is where Nick Frost should be standing! It’s written in my contract that Nick Frost would be here!

Whilst I’m not a fan of Chris Pine as Captain Kirk, this really is an excellent run out for one of television’s most revered sci-fi franchises. What this and its predecessor do so well is pure adrenalin-fuelled action, at the expense of sticking character development on the back burner; Zachary Quinto continues to do an excellent job of playing Spock; with Abrams less dependent on the character in Into Darkness than his first attempt.

Benedict Cumberbatch proves once again that he can’t be type-cast by taking up the role of Khan, a super villain with far superior strength and mental abilities who wears a long coat. This is a touch unfair as he does a very good job; both actor and role feed off each other and he provides an impassioned performance despite his character’s cold and clinical nature.

There comes a point (that I won’t spoil for you) in the plot that is so very out of touch with the rest of the film that it borders on the tedious, but the action recovers to a thrilling climax that reeks of Abrams and could be transposed into anything that’s gone before and sadly will probably remain the template when Star Wars VII: Milking The Cash Cow comes around. Don’t get me wrong – it works and it’s really good so it’s a bit churlish of me to complain, it’s more of a warm blanket of familiarity than the cold tedium of inevitability.

In summary: watch it, enjoy it.

Drew Pontikis is an avid gamer and film fanatic. A fan of racing sims, first person shooters and horror films, Drew is notable for talking almost exclusively using Futurama quotes. Follow him on Twitter as @drew060609 or read his game reviews at http://obscenegaming.wordpress.com.