Tag Archives: Moustapha Akkad

Review: The Message [a.k.a. Mohammad, Messenger of God]

Director: Moustapha Akkad
Year: 1976
Score: 5.5/10

If this movie is to be believed, most of Mohammad's enemies died because they used rubber swords.

If this movie is to be believed, most of Mohammad’s enemies died because they used rubber swords.

Strange combination of historical epic and religious propaganda. In a sense, the nearest comparison would be Ben-Hur; unfortunately, this is no Ben-Hur.

It tells the story of Mohammad and the birth of Islam but it’s hamstrung by its adherence to Islamic beliefs regarding depictions of Mohammad. An opening card informs the audience: “The makers of this film honour the Islamic tradition which holds that the impersonation of the Prophet offends against the spirituality of his message. Therefore, the person of Mohammad will not be shown”. Consequently we get an epic biopic missing its protagonist, instead resorting to ridiculous workarounds such as showing his camel’s head (he’s supposedly just off-screen!) and shooting some sequences from his point of view (placing his staff in frame as though it’s a weapon in a first-person shooter game!).

Other than that, the story is told in a fairly conservative, straightforward way, hammering home the view that Mohammad’s opponents were driven by greed and that his message was just totally awesome and should have been immediately taken up by everyone. There’s a lot of time spent on the efforts of the merchants and leaders of Mecca to suppress the growing movement, so much so that it’s almost two hours before we get a proper battle scene. When the battles start things do pick up a bit, but by then it’s a case of too little too late.

There are some fair performances and it held my interest all the way through (that’s three hours!); it just isn’t the kind of straight historical epic I wanted it to be. Perhaps part of the problem, and the source of the sense that it amounts to religious propaganda, is that (as explicitly stated in another opening card) its content was vetted by an Islamic university in Cairo and something called the “High Islamic Congress of the Shiat in Lebanon” (which, when googled, leads only to references to this film).

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