Director: Peter Jackson
Year: 2012 (theatrical version) / 2013 (extended edition)
The real reason for the extended edition, of course, was so we finally get naked dwarves. The fans… go… wild.
I’m a big fan of Peter Jackson’s Lord of the Rings trilogy and my initial viewing of the theatrical (non-extended) version of The Hobbit: An Unexpected Journey, in 48fps 3D, left me quite impressed but a tad concerned. It was an immensely fun ride, with Jackson’s familiar brand of humour-infused action, constant winks at the fans, a largely excellent cast (both new and returning), and a brilliant adaptation of the novel’s crucial ‘Riddles in the Dark’ chapter in the final act. Mostly it was just great to be back in Jackson’s immersive world; it isn’t quite Tolkien’s Middle-Earth, but it’s equally impressive in its own ways.
I did, however, have reservations about the film’s length, the sense that many of the action sequences were shoe-horned in to pad it out as the first part of a trilogy (case in point: the entirely unnecessary rock-monster boxing match scene), the decision to split a fairly short children’s book into three lengthy films, and the often slavish beat-for-beat recreations of moments/sequences/arcs from the original trilogy. In a sense all of these concerns come down to the fact that this isn’t just a film adaptation of the novel; it’s very specifically JACKSON’S adaptation, in the style, vein and scope of his Lord of the Rings. That means we lose the childish frivolity and lightness I remember from the novel, and instead get a dose of Sauron-y seriousness and a bunch of extra bits, all designed to create parity with the original trilogy so this (together with the next two movies) will serve as a stylistically and narratively cohesive prequel trilogy.
I can’t decide if the Great Goblin’s chin testicles are as bad as or worse than Peter Griffin’s.
Watching the extended edition in preparation for the release of The Hobbit: The Desolation of Smaug, I had roughly the same response but if anything my concerns grew: this is, after all, an even longer version – 13 minutes of additional footage! – of a movie I already regarded as bloated. For some reason I disliked the Great Goblin character (portrayed by Barry Humphries) more this time round. On the other hand, I found the emotional climax (Bilbo finding his courage and being accepted by Thorin) considerably more affecting, though I don’t recall any changes to the scene in this version that would have made it so. I also noticed and enjoyed the dwarves’ theme music, within Howard Shore’s excellent-as-always score, more than I previously recall.
For anyone choosing between the theatrical and extended versions, the bottom line for me is this: when I watch the trilogy in the future, I’ll be putting aside my concerns about length and unnecessary action set-pieces and ill-advised movie-splitting, so I might as well take the completist route and watch the extended version; the extra bits aren’t by any means fatal to the overall length, and they tend to play OK in a home cinema environment. Or maybe I’m just a glutton for punishment.